HammondWiki - Diff: AllTimeHammondPopHits

Differences between version 84 and predecessor to the previous major change of AllTimeHammondPopHits.

Other diffs: Previous Revision, Previous Author

Newer page: version 84 Last edited on February 22, 2018 7:45 pm. by
Older page: version 80 Last edited on January 12, 2017 2:05 pm. by
@@ -1,5 +1,4 @@
-*Albert - Santa Barbara Machine Head (1967), Jon Lord on Hammond  
 *America - The Nice (1968), L100 by Keith Emerson 
 *A Gypsy's Kiss - Deep Purple (1984), Jon Lord on C3 
 *A Hit by Varese - Chicago (1972), Robert Lamm on B3 
 *A Whiter Shade of Pale [AWSOP] - Procol Harum (1967), M102 by MatthewFisher 
@@ -21,8 +20,9 @@
 *Duty - Frumpy (1971), B3 by Jean-Jacques Kravetz 
 *Easy Livin' - Uriah Heep (1972), B3 by Ken Hensley 
 *Easy to be Hard - Three Dog Night 
 *Eli's Comin' - Three Dog Night (1969), B3 by Jimmy Greenspoon 
+*Every Mother's Son - Traffic - by Steve Winwood & Jim Capaldi  
 *Everything You Did - Steely Dan (1976), (Uncredited, perhaps Donald Fagen) 
 *Evil Ways - Santana (1969), B3 by Gregg Rolie 
 *Feelin' So Bad - Butts Band (1975), B3 by Alex Richman 
 *Fire - Arthur Brown (1968), Vincent Crane on Hammond 
@@ -32,9 +32,9 @@
 *Flute Thing - The Blues Project (1966), Al Kooper on Hammond 
 *Foot Stompin' Music - Grand Funk Railroad (1971), Hammond by Mark Farner 
 *Foreplay/Long Time - Boston (1976), M3 by Tom Scholz 
 *Freedom Rider - Traffic (1970), Steve Winwood on C3 
-*Fun, Fun, Fun - The Beach Boys (1964) 
+*Fun, Fun, Fun - The Beach Boys (1964), Brian Wilson  
 *Get Organized (from Walk On medley) - Boston (1994), B3 w/Leslie 147 by Tom Scholz 
 *Gimme Some Lovin' - The Spencer Davis Group (1966), Hammond L-102 by Steve Winwood 
 *Good Lovin' - Rascals (1966), Felix Cavaliere on Hammond 
 *Green Eyed Lady - Sugarloaf (1970), B3 by Jerry Corbetta 
@@ -62,8 +62,9 @@
 *Knife Edge - Emerson, Lake & Palmer (1970), C3 by Keith Emerson 
 *Lazy - Deep Purple (1972), C3 by JonLord 
 *Let It Be - The Beatles (1970), B3 by BillyPreston 
 *Like a Rolling Stone - Bob Dylan (1965), B3 by Al Kooper 
+*Love the One You're With - Steven Stills (1970), Organ by Al Kooper  
 *Ma Belle Amie - Tee Set (1969), Hammond by Hans van Eijck 
 *Magic Carpet Ride - Steppenwolf (1968), Hammond by Goldy ~McJohn 
 *Marrakesh Express - Crosby, Stills and Nash (1969), Hammond by Stephen Stills 
 *Me and Bobby ~McGee (& others) - Janis Joplin with Full Tilt Boogie (1970); Ken Pearson on Hammond 
@@ -78,18 +79,16 @@
 *Our Day Will Come - Ruby & The Romantics (1963). Leroy Glover on the "shimmering" Hammond with guitarist Kenny Burrell, frequent collaborator with JimmySmith 
 *Outa Space - Billy Preston (1972), B3 (and some impressive Clavinet) by BillyPreston 
 *Oye Coma Va - Santana (1970), B3 by Gregg Rolie 
 *Point of Know Return - Kansas (1977), C3 by Steve Walsh 
-*Porcupine Juice - Santa Barbara Machine Head (1967), Jon Lord on Hammond  
-  
 *Refugee - Tom Petty & The Heartbreakers (1980), Organ by Benmont Tench 
 *Repent Walpurgis - Procol Harum (1967), M102 by MatthewFisher 
 *Roll With The Changes - REO Speedwagon (1978), B3 by Neal Doughty 
 *Rondo - The Nice (1967), L100 by Keith Emerson 
 *Roundabout - Yes (1971), C3 by Rick Wakeman 
-*Rubber Monkey - Santa Barbara Machine Head (1967), Jon Lord on Hammond  
 *Same Old Story - Spock's Beard (2003), keyboards by Ryo Okumoto 
 *Season of the Witch - Al Kooper, Mike Bloomfield and Steven Stills (Super Session) (1968). Al Kooper on B3 
+*Shanghai Noodle Factory - Traffic - by Steve Winwood & Jim Capaldi  
 *Since I've Been Loving You - Led Zeppelin (1970), C3 by John Paul Jones 
 *Smoke on the Water - Deep Purple (1972), Jon Lord on C3 
 *Smokin' - Boston (1975), M3 by Tom Scholz 
 *Soho(needless to say) - Al Stewart (1973), Hammond by Peter White 
@@ -127,12 +126,16 @@
 *Your Time is Going to Come - Led Zeppelin (1969), M-100 by John Paul Jones 
 *Whipping Post - Allman Brothers (1969), B3 by Gregg Allman 
  
 ---- 
+  
+A note about this list. Most of the recordings on this list prominently feature the Hammond and show off some amazingly gifted musicians like JonLord, KeithEmerson, JimmySmith, etc. But there a fair number of songs here in which the Hammond is a supporting instrument but so vital to the _sound_ of the recording it simply can't be ignored. Artists like Buddy Cole, Leroy Glover and Jimmy Greenspoon have contributed dazzlingly effective sounds from a Hammond that enhance rather than dominate these Hits. Tossed in here are also some recordings by artists definitely not known for playing an organ like Christine ~McVie, John Paul Jones and Mark Farner.  
  
 Also see: 
  
 [List of songs played on a Hammond] (Songs popular with home organists.) 
  
 [Greatest Hammond Albums|GreatestHammondAlbums] (albums featuring the Hammond) 
  
-Can we take it for granted that Jean-Jaques Kravetz played a B-3 in both aforementioned recordings? At least at some live performances for German tv (_Take Care of Illusion_: https://www.youtube.com/watch?v=w79Jpl6WXFE, or _How the Gipsy Was Born_: https://www.youtube.com/watch?v=BDUQN0Chl-M respectively, and also, with Atlantis, in _Days of Giving_: https://www.youtube.com/watch?v=d_wJ_XcUAyw) he obviously played a (the same?) spinet. 
+Q: Can we take it for granted that Jean-Jaques Kravetz played a B-3 in both aforementioned recordings? At least at some live performances for German tv (_Take Care of Illusion_: https://www.youtube.com/watch?v=w79Jpl6WXFE, or _How the Gipsy Was Born_: https://www.youtube.com/watch?v=BDUQN0Chl-M respectively, and also, with Atlantis, in _Days of Giving_: https://www.youtube.com/watch?v=d_wJ_XcUAyw) he obviously played a (the same?) spinet.  
+  
+A: Ultimately, unless an artist specifically states the _exact_ model he or she was using on a recording, it's difficult to know what was being played on a recording. While no Hammond sounds _exactly_ like any other Hammond, the console organs (B, C, A-100) differ only in the casework and should sound the same. The speakers and amps used on a recording, of course, can be wildly different (different Leslie models, Hammond cabinets, the A-100's internal speakers, miking styles, etc.) from one recording to the next. If you truly have a gifted ear you might be able to tell the difference between the full tonewheel/foldback set of the console organs from the missing tonewheels and foldback of the spinets (M, L, etc.). The latest clones are very, very good. So good, in fact, that a couple of the later Hammond Hits listed above _might_ actually be recorded on a clonewheel. In his early years in Spock's Beard, Ryo Okumoto clearly is playing a Hammond but the Hit I added above a few years ago sounds like it _might_ be a clone..

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